Musicae Scientiae (journal)
Discipline | Music psychology |
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Language | English |
Edited by | Jane Ginsborg |
Publication details | |
History | 1997–present |
Publisher | SAGE Publications on behalf of the European Society for the Cognitive Sciences of Music |
Frequency | Quarterly |
Impact factor | 1.93 (2020) |
Standard abbreviations ISO 4 (alt) · Bluebook (alt1 · alt2) NLM (alt) · MathSciNet (alt ) | |
ISO 4 | Music. Sci. |
Indexing CODEN (alt · alt2) · JSTOR (alt) · LCCN (alt) MIAR · NLM (alt) · Scopus | |
ISSN | 1029-8649 (print) 2045-4147 (web) |
LCCN | sn98052141 |
OCLC no. | 463081059 |
Links | |
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Musicae Scientiae is a quarterly peer-reviewed academic journal covering the field of music psychology. The editor-in-chief is Jane Ginsborg (Royal Northern College of Music). It was established 1997 and is published by SAGE Publications on behalf of the European Society for the Cognitive Sciences of Music.
Abstracting and indexing
The journal is abstracted and indexed in the Arts and Humanities Citation Index, Current Contents/Arts & Humanities, Current Contents/Social & Behavioral Sciences, and the Social Sciences Citation Index. According to the Journal Citation Reports, the journal has a 2018 impact factor of 1.25[1]
References
- ^ "Journals Ranked by Impact: Psychology, Experimental". 2018 Journal Citation Reports (Social Sciences ed.). Thomson Reuters. 2019.
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External links
- Official website
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- Absolute pitch
- Auditory illusion
- Auditory imagery
- Background music
- Consonance and dissonance
- Deutsch's scale illusion
- Earworm
- Embodied music cognition
- Entrainment
- Exercise and music
- Eye movement in music reading
- Franssen effect
- Generative theory of tonal music
- Glissando illusion
- Hedonic music consumption model
- Illusory continuity of tones
- Levitin effect
- Lipps–Meyer law
- Melodic expectation
- Melodic fission
- Mozart effect
- Music and emotion
- Music and movement
- Music in psychological operations
- Music preference
- Music-related memory
- Musical gesture
- Musical semantics
- Musical syntax
- Octave illusion
- Relative pitch
- Sharawadji effect
- Shepard tone
- Speech-to-song illusion
- Temporal dynamics of music and language
- Tonal memory
- Tritone paradox
- Aesthetics of music
- Bioacoustics
- Ethnomusicology
- Hearing
- Melodic intonation therapy
- Music education
- Music therapy
- Musical acoustics
- Musicology
- Neurologic music therapy
- Neuronal encoding of sound
- Performance science
- Philosophy of music
- Psychoanalysis and music
- Sociomusicology
- Systematic musicology
- Zoomusicology
- Jamshed Bharucha
- Lola Cuddy
- Robert Cutietta
- Jane W. Davidson
- Irène Deliège
- Diana Deutsch
- Tuomas Eerola
- Henkjan Honing
- David Huron
- Nina Kraus
- Carol L. Krumhansl
- Fred Lerdahl
- Daniel Levitin
- Leonard B. Meyer
- Max Friedrich Meyer
- James Mursell
- Richard Parncutt
- Oliver Sacks
- Carl Seashore
- Max Schoen
- Roger Shepard
- John Sloboda
- Carl Stumpf
- William Forde Thompson
- Sandra Trehub
- Music Perception
- Musicae Scientiae (journal)
- Musicophilia
- Music, Thought, and Feeling
- Psychology of Music (journal)
- The World in Six Songs
- This Is Your Brain on Music
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