William Forde Thompson
William Forde "Bill" Thompson is an academic who has worked in Canada, Sweden and Australia. He is an Emeritus Professor at Macquarie University in Sydney, Australia, where he was Distinguished Professor of Psychology (2017- ) and Chair of the Department between 2009 and 2013. He currently works at Bond University, Queensland, Australia, and previously held positions at University of Toronto and York University in Toronto. His research focuses on music, emotion, expertise, and performance.[1]
From 2007 to 2009, he was president of the Society for Music Perception and Cognition. He was an associate editor at Music Perception, former editor of Empirical Musicology Review (2008–2010), and chief investigator of the ARC Centre of Excellence in Cognition and its Disorders. He is a fellow of the Association for Psychological Science.
Born in Middletown, Connecticut, US, Thompson holds a BSc in psychology from McGill University (Montreal, Canada) and an MA and PhD in psychology from Queen's University (Kingston, Canada). He is the author of Music, Thought, and Feeling: Understanding the Psychology of Music, Oxford University Press [US], 2009 (1st edition), 2014 (2nd edition), editor for the Encyclopedia of Music in the Social and Behavioral Sciences published by Sage Press in 2014, and co-editor of The Science and Psychology of Music: From Beethoven at the Office to Beyonce at the Gym, published by Greenwood in 2021.
In addition to his academic work, Thompson has composed and performed music for a number of films and plays, including several by his sister, Canadian playwright Judith Thompson. He is the grandson of former Australian prime minister Frank Forde. He is married to Dr. Pat Diamond, formerly Professor of Education at the Ontario Institute for Studies in Education, University of Toronto.
References
- ^ Anna Salleh (30 October 2012). "Tone deaf shed light on origin of language". ABC Science. Australian Broadcasting Corporation.
External links
- Music, Thought, and Feeling Homepage
- F. Thompson Homepage
- The Science and Psychology of Music (2021
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- Absolute pitch
- Auditory illusion
- Auditory imagery
- Background music
- Consonance and dissonance
- Deutsch's scale illusion
- Earworm
- Embodied music cognition
- Entrainment
- Exercise and music
- Eye movement in music reading
- Franssen effect
- Generative theory of tonal music
- Glissando illusion
- Hedonic music consumption model
- Illusory continuity of tones
- Levitin effect
- Lipps–Meyer law
- Melodic expectation
- Melodic fission
- Mozart effect
- Music and emotion
- Music and movement
- Music in psychological operations
- Music preference
- Music-related memory
- Musical gesture
- Musical semantics
- Musical syntax
- Octave illusion
- Relative pitch
- Sharawadji effect
- Shepard tone
- Speech-to-song illusion
- Temporal dynamics of music and language
- Tonal memory
- Tritone paradox
- Aesthetics of music
- Bioacoustics
- Ethnomusicology
- Hearing
- Melodic intonation therapy
- Music education
- Music therapy
- Musical acoustics
- Musicology
- Neurologic music therapy
- Neuronal encoding of sound
- Performance science
- Philosophy of music
- Psychoanalysis and music
- Sociomusicology
- Systematic musicology
- Zoomusicology
- Jamshed Bharucha
- Lola Cuddy
- Robert Cutietta
- Jane W. Davidson
- Irène Deliège
- Diana Deutsch
- Tuomas Eerola
- Henkjan Honing
- David Huron
- Nina Kraus
- Carol L. Krumhansl
- Fred Lerdahl
- Daniel Levitin
- Leonard B. Meyer
- Max Friedrich Meyer
- James Mursell
- Richard Parncutt
- Oliver Sacks
- Carl Seashore
- Max Schoen
- Roger Shepard
- John Sloboda
- Carl Stumpf
- William Forde Thompson
- Sandra Trehub
- Music Perception
- Musicae Scientiae (journal)
- Musicophilia
- Music, Thought, and Feeling
- Psychology of Music (journal)
- The World in Six Songs
- This Is Your Brain on Music
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