Gil de Siloé
Castilian sculptor of Flemish origin
You can help expand this article with text translated from the corresponding article in Spanish. (March 2019) Click [show] for important translation instructions.
- Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
- Consider adding a topic to this template: there are already 5,028 articles in the main category, and specifying
|topic=will aid in categorization. - Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
- You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is
Content in this edit is translated from the existing Spanish Wikipedia article at [[:es:Gil de Siloé]]; see its history for attribution. - You may also add the template
{{Translated|es|Gil de Siloé}}to the talk page. - For more guidance, see Wikipedia:Translation.
Gil de Siloé | |
|---|---|
| Born | Gil de Amberes? c. 1440 Antwerp? |
| Died | 1501 Burgos, Spain |
| Nationality | Castilian, Spain |
| Known for | Sculpture |
| Movement | Isabelline Gothic |
| Patron(s) | Isabella I of Castile |
Gil de Siloé (Antwerp? 1440s – Burgos, 1501) was a Castilian sculptor of Flemish origin, who worked in Burgos in a late gothic or Isabelline style.
His Hispano-Flemish style, which combines influences of the Germanic and Flemish gothic, and Mudéjar, is meticulous in its ornamentation and displays great technical virtuosity.
He was the father of an important architect and sculptor, Diego de Siloe.
Works
In Miraflores Charterhouse there are several works by Gil de Siloé:
- The main altarpiece (1496–1499). Gil was assisted by Diego de la Cruz, who was responsible for the polychromy and some of the figures.[1]
- The mausoleum of King John II of Castile and of his wife, Isabella of Portugal (1489–1493).
- The funeral monument for Alfonso son of John II and brother of Isabella I of Castile (1489–1492).
For Burgos Cathedral:
- Altarpiece of the chapel of Saint Anne (1486–1492).
- Retable of Saint Anne in the Chapel of the Condestable (c. 1498).
Other works:
- Funeral monument for Don Juan de Padilla for the Monastery of Fresdeval, actually in the Museum of Burgos (c. 1500).
- Enthroned Virgin and Christ Child in alabaster, Cleveland Museum of Art, Cleveland, Ohio, US.
Attribution
Many attributions are debated by art historians if are by his hand, by members of his workshop or by followers. Among them the most outstanding are:
- The façade of the San Gregorio College in Valladolid.
- The doors between the transept and the cloister of Burgos Cathedral.
-
-
-
Saint James from the tomb of Juan II and Isabel of Portugal
The MET Cloisters in Manhattan -
Funeral monument for Alfonso
Miraflores Charterhouse
Burgos -
Altar piece of the chapel of Saint Anne
Burgos Cathedral -
San Gregorio College
Valladolid
Sources
- ^ Bazin, Germain (1968). The History of World Sculpture. [Weert, Netherlands]: Lamplight Publ. p. 328. OCLC 937959326.
- Ian Chilvers (1990). The Oxford Dictionary of Art and Artists. Oxford University Press. ISBN 978-0-19-953294-0.
Wikimedia Commons has media related to Gil de Siloé.
Authority control databases  | |
|---|---|
| International |
|
| National |
|
| Artists |
|
- v
- t
- e
