Film d'art
- André Calmettes
- Charles Le Bargy
- Albert Capellani
Film d'art (French for "art film") was an influential film movement or genre that developed in France prior to World War I and began with the release of L'Assassinat du duc de Guise (1908), directed by Charles Le Bargy and André Calmettes of the Comédie Française for the Société Film d'Art, a company formed to adapt prestigious theatre plays starring famous performers to the screen.[1] The success of L'Assassinat du duc de Guise inspired other companies to make similar films, initiating the film d'art movement.[1] Among them were Pathé, which started a film d'art division called Société Cinématographique des Auteurs et des Gens de Lettres (SCAGL).[2] Examples of films d'art include Calmettes's La Duchesse de Langeais (1910) and La Dame aux Camélias (1912), and Albert Capellani's Notre-Dame de Paris (1911) and Les Misérables (1913).[2]
The movement was the most serious attempt to relate cinema to forms of high culture such as literature and theater, since up to that time cinema was seen as a simple popular entertainment characterized by spectacle.[2] Despite its high intellectual aspirations, film d'art was characterized by its limited narrative execution, as the works were simply filmed theatrical productions.[1] Despite its technical limitations and short-lived popularity, the movement was highly influential and instrumental in the rise of feature films and narrative cinema, as opposed to the cinéma d'attractions (English: "cinema of attractions").[1] The movement created a demand for more developed storylines and greater production values, and also made the practice of listing credits more widespread, as they advertised the presence of well-known stage actors.[2] The influence of film d'art resulted in the birth of narrative cinema in other countries, as in the case of Argentina with the work of Mario Gallo.[3]
References
- ^ a b c d "History of film: The silent years, 1910–27". Encyclopædia Britannica. Retrieved 1 February 2024.
- ^ a b c d "Film d'art". Adapted from Historical Dictionary of French Cinema by Dayna Oscherwitz & Mary Ellen Higgins. Guide to cinema. Academic. 2011. Retrieved 1 February 2024.
{{cite web}}
: CS1 maint: others (link) - ^ Mahieu, José Agustín (1966). Breve historia del cine argentino (in Spanish). Buenos Aires: Editorial Universitaria de Buenos Aires. p. 6.
- v
- t
- e
- Action
- Adventure
- Art
- Biographical
- Christian
- Comedy
- Cyberpunk
- Documentary
- Drama
- Erotic
- Educational
- Social guidance
- Epic
- Experimental
- Exploitation
- see Exploitation film template
- Fantasy
- Film noir
- Gothic
- Horror
- Maximalist film
- Minimalist film
- Mumblecore
- Musical
- Mystery
- Pop culture fiction
- Pornographic
- Propaganda
- Reality
- Romantic
- Science fiction
- Slice of life
- Slow cinema
- Thriller
- Transgressive
- Trick
- Animals
- Beach party
- Body swap
- Buddy
- Cannibal
- Chicano
- Colonial
- Coming-of-age
- Concert
- Crime
- Dance
- Disaster
- Drug
- Dystopian
- Ecchi
- Economic
- Ethnographic
- Exploitation
- Extraterrestrial
- Food and drink
- Gendai-geki
- Ghost
- Goona-goona epic
- Gothic
- Girls with guns
- Harem
- Hentai
- Homeland
- Isekai
- Jidaigeki
- Kaitō
- LGBT
- Yaoi
- Yuri
- Luchador
- Magical girl
- Martial arts
- Mecha
- Monster
- Mountain
- Mouth of Garbage
- Muslim social
- Nature
- Opera
- Outlaw biker
- Ozploitation
- Partisan film
- Prison
- Race
- Rape and revenge
- Road
- Rubble
- Rumberas
- Sexploitation
- Shoshimin-eiga
- Slavery
- Slice of life
- Snuff
- South Seas
- Sports
- Spy
- Superhero
- Surfing
- Swashbuckler
- Sword-and-sandal
- Sword and sorcery
- Travel
- Trial
- Vigilante
- War
- Western
or period
- Absolute
- American eccentric cinema
- New Objectivity
- Australian New Wave
- Auteur films
- Berlin School
- Bourekas
- Brighton School
- British New Wave
- Budapest school
- Calligrafismo
- Cannibal boom
- Cinéma du look
- Cinema Novo
- Cinema of Transgression
- Cinéma pur
- Commedia all'italiana
- Czechoslovak New Wave
- Documentary Film Movement
- Dogme 95
- Erra Cinema
- European art cinema
- Film d'art
- Film gris
- Free Cinema
- French New Wave
- German Expressionist
- German underground horror
- Nigerian Golden Age
- Grupo Cine Liberación
- Heimatfilm
- Hollywood on the Tiber
- Hong Kong New Wave
- Indiewood
- Iranian New Wave
- Italian futurist
- Italian neorealist
- Japanese New Wave
- Kammerspielfilm
- L.A. Rebellion
- Lettrist
- Modernist film
- Mumblecore
- Neorealist
- New French Extremity
- New German
- New generation
- New Hollywood
- New Nollywood
- New Queer
- No wave
- Nuevo Cine Mexicano
- Pan-Indian film
- Parallel cinema
- Persian Film
- Poetic realist
- Polish Film School
- Poliziotteschi
- Praška filmska škola
- Prussian film
- Pure Film Movement
- Remodernist
- Romanian New Wave
- Slow cinema
- Spaghetti Western
- Socialist realist
- Social realist
- Soviet parallel
- Structural
- Surrealist
- Sword-and-sandal
- Telefoni Bianchi
- Third Cinema
- Toronto New Wave
- Vulgar auteurism
- Yugoslav Black Wave
technique,
approach,
or production
- 3D
- Actuality
- Animation
- Anthology
- Art
- B movie
- Behind-the-scenes
- Black-and-white
- Blockbuster
- Cinéma vérité
- Classical Hollywood cinema
- Collage
- Color
- Compilation
- Composite
- Computer screen
- Cult
- Database cinema
- Docufiction
- Ethnofiction
- Experimental
- Feature
- Featurette
- Film à clef
- Film-poem
- Found footage
- Grindhouse
- Hyperlink cinema
- Independent
- Interstitial art
- Live action
- Low-budget
- Major film studios
- Masala
- Maximalist film
- Message picture
- Meta-film
- Minimalist film
- Mockbuster
- Modernist film
- Musical short
- Mythopoeia
- Neorealist
- No-budget
- One-shot
- Paracinema
- Participatory
- Poetry
- Postmodernist
- Reverse motion
- Satire
- Sceneggiata
- Semidocumentary
- Serial
- Shinpa
- Short
- Silent
- Slow cinema
- Socialist realist
- Sound
- Underground
- Video nasty
- Vulgar auteurism
- Z movie
- Category
- Portal
This film genre–related article is a stub. You can help Wikipedia by expanding it. |
- v
- t
- e