Bambangan Cakil

Indonesian classical dance
Bambangan Cakil
Bambangan Cakil performance
Native name꧋ꦧꦩ꧀ꦧꦔꦤ꧀ꦕꦏꦶꦭ꧀ (Javanese)
Tari Klasik Bambangan Cakil (Indonesian)
Instrument(s)Gamelan
InventorJavanese
OriginIndonesia
Cakil (left) and Arjuna (right) as wayang.
Bambangan Cakil
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Bambangan Cakil (Javanese: ꧋ꦧꦩ꧀ꦧꦔꦤ꧀ꦕꦏꦶꦭ꧀) is a classical dance-drama[1] of Javanese people in—particularly—Central Java, Indonesia.[2] This dance-drama demonstrates wayang performance due to the movement is adopted from one of the scenes in wayang kulit performance, that is the Perang Kembang scene.[3] The Perang Kembang told about war between kesatria and raksasa. The kesatria has soft and gentle characters, while the raksasa is described as a character who is rough and violent.

The dance-drama war[4] between kesatria (Bambangan) against raksasa (Cakil) could also be used as a place for a dalang's judgment in moving a puppet.

Philosophy

In Javanese culture, kesatria are always considered to be good figures, willing to defend the truth, to help others, etc.[5] The kesatria title is given, rather than being heredity. For example, in the Mahabharata story, Kurawa does not have a kesatria title, even though he has the same ancestors as the Pandava.

On the other hand, raksasa are characterised as rough, violent and dynamic.

Characterizations

In the Bambangan Cakil dance-drama, Arjuna is depicted as kesatria, while Cakil is depicted as raksasa.[6]

See also

  • iconTheatre portal
  • flagIndonesia portal

References

  1. ^ Widiarto, Bambang (27 June 1991). "Tari Klasik"Bambangan Cakil"". Retrieved 30 October 2020. {{cite journal}}: Cite journal requires |journal= (help)
  2. ^ "Tari Bambangan Cakil Tarian Tradisional dari Jawa Tengah". Negeriku Indonesia. Retrieved 30 October 2020.
  3. ^ Murtiyoso (2009). Perang Kembang dan Bambangan-Cakil "Tontonan Bermakna Ganda". Surakarta: ISI Press.
  4. ^ Handayani, Langlang; Prasetya Aji, Mahardika; Susilo; Marwoto, Putut (2016). "Bringing Javanesse Traditional Dance into Basic Physics Class: Exemplifying Projectile Motion through Video Analysis". Journal of Physics: Conference Series. 739 (1): 012073. Bibcode:2016JPhCS.739a2073H. doi:10.1088/1742-6596/739/1/012073.
  5. ^ Murtiyoso (2004). Pertumbuhan dan Perkembangan Seni Pertunjukan Wayang. Surakarta: ISI Press.
  6. ^ "Tari Bambangan Cakil". Dinas Kearsipan dan Perpustakaan Provinsi Jawa Tengah. Retrieved 30 October 2020.[permanent dead link]

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